Procedure

They expect me to sit in the chair in the corner. Human behavior in this room with nothing but a chair and a mirror is that the person will sit in the chair. It's the expectation of a calculated system.

I wait with the door open. My phone is locked up. I count all the objects in the room, including fixtures and outlets and door handles (both sides), and I include myself sitting in the chair. Forty-eight. This number is pleasing because it is divisible by eight. I do some neck stretches. There's the play I'm writing that I could think about, but when I'm away from it all the characters lead other lives, separate from the play, like they have day jobs and my play is a diversion.

Some song by Rod Stewart is playing through the tinny speaker on the ceiling (object #14), and I'm reminded of how much I don't like his voice, but he had that jazz album that wasn't bad. Didn't my friend Danielle sing one of his songs in a high school choral concert? She was on the homecoming court. Maybe the song was part of the event. There's a connection between her and Rod Stewart in my brain.

The blouse I wore here is a size six petite, too big in the waist, too short in the arms. Another Alice in Wonderland item of clothing I thrifted. It has gussets and placket buttons, and cuffs that fold back to reveal my wrists and two inches of my arm. Dan said I looked skinny in it when I left for this appointment, noting the looseness. None of my clothing feels right on my body. I prefer the outlandishness of costumes, where proportions are malleable. 

The carpeting in here is dark shades of greens in a pattern of varied circles that touch each other and remind me of lumps of moss. The hallway has a thinly striped carpeting of lighter shades of green. The patterns do not match. There is no door threshold strip, and some of the weave has come apart, spiraling up like a weed from a sidewalk crack.

I watch the shadow of another woman as she gets dressed in the room across the hall. The shapes and patterns the shadows make are as beautiful as watching leaf patterns on the ground. This thought strikes a low gong in me. All the leaves are falling now, and the leaf shadows will go with them. Bare branch patterns, arterial, will replace them. I wonder about the life of the woman behind the door, the woman in shadow, who nodded to me a grim acknowledgement as she left for her procedure. Why is she here? I hope it's routine.

I kick my feet to the music, tick-tock them, then move them in opposition. I do the same with my shoulders. This has taken some practice for me to do. Getting mocked about it in a theatre class started the practice. How urgent all the younger-than-me students in that class were. I resented their futures, and loved their enthusiasm.

Didn't I have better thoughts when I was in my 40s? Why can't I just be content sitting in this chair in the corner, a half naked human being with an ill-fitting blouse waiting for her? It seems all my friends who are in their 40s now are leading shinier lives than mine but I know this isn't true. My 40s weren't all that great. My mother was in decline. Helen will be in her 40s in ten years, and I will be ...

The math of that thought is a dark corner I avoid by observing the empty chair in the other room across the hall. It is a nicer chair than this one, I decide, because it's lines have an elegant mid-century modern style. It's arms are polished wood. My mother would have commented on that chair.

Now I am uncomfortable enough to stand, unlock the closet, and rifle around my bag to find my phone. The phone, that devil that promises to connect but divides me from the real world. I'll text Dan to see how he's doing. 

The lab tech arrives to walk me to my test. She's probably 42 or so, thick dark hair, big brown eyes. Lovely. "Hello Jennifer," she says. This week I talked to a receptionist who told me my full name was the same as her best friend. Jennifer Hill. 

My astrological chart reminds me that I am not that special, and my karmic lesson is to learn that others lead lives that are different from my own. Even the other people named Jennifer Hill.

Everything for me right now is 8, 16, 24, 32, 40, 48, 56, present, and accounted for, part of the system.

Passing By

The greying fence that once wound around the corner of our property is gone now. Every morning I looked out at it, close range, from my writing desk. There was not much reason for it. What was it keeping out? What was it holding in? I decided we'd have more light, and I'd get a better sense of the gardens around the house without it. The wood could be repurposed into a wood shed, and possibly an outhouse. My argument was sound, and so the fence is gone and we have a wood shed. 

My morning view has improved. I see the sunrise slap the sides of trees, the frosty grass of the field across the road, and I wonder who is awake in the neighbors house when there's a light on. I also see traffic up close. Yesterday I saw a driver cut someone else off, and the victim gave the offender a solid middle finger. Not a flash, not a flicker, but a switched-on-for-good fuck you. Some drivers who stop at the corner notice me and my little green lamp. This morning there was the older man in the black pickup who shamelessly stares as he makes the turn. His head is fixed like an owl. Yes, someone lives here, and yes, she can see you passing by on your way to work.

Face Full of Something

A week or so ago, I reconnected with a photographer friend to set up an appointment for a new headshot. It's been years, and it's time for an update. "I definitely can't use the one you took of me in 2011, as much as I love it. I've changed," I told her. Eyeglasses are now a permanent feature of my face, as are laughlines, and a WiFi signal of wrinkles on my forehead (good connectivity up there!).  I got off the phone, smiling after catching up on each other's lives, then thought about my self-care routine, and my face, which would be the front-and-center subject for her camera.

That's all it took for me to start thinking that maybe my real face wasn't quite right. In the early morning hours, I succumbed to an Instagram ad for a foundation that got unrealistically great reviews. It seemed to work for all types of skin. The deal was appealing -- a "try before you buy." I could send it all back if I didn't like it. I took the bait.

Two sleek, black bubble wrapped packages arrived within what seemed like hours. It was as if I'd tapped into some secret service agency dedicated to my self-improvement. My face was an emergency. One of the packages bore a sticker that read, "MORE IS MORE." The other, "YOU CAN NEVER HAVE ENOUGH." I already hated it. And yet, I was willing to give it a try. I've worn makeup and it really can make me feel good. I don't wear it too often now, unless I'm performing. I keep a favorite tube of lipstick on my desk so I can swipe it on before Zoom meetings. It's a shade of red called, "No Cry."

Shiny, industrial sized, glittering, and almost architectural containers were nestled inside a box filled with black shredded paper. It was like a Gothic Easter basket. The offering here was layers of assistance, and I scored a "free mystery gift" of eyeliner, which I never use, even for stage makeup.

I spent some time applying everything, and began with the concealer, then realized I was doing it wrong, I forgot to put on the underlayer that spackles and primes the pores. Whoops. Well, whatever. I continued on with spackle, then the foundation, and dabbed a little more concealer on here and there and blended. I have a small palette of rosy blush/lip/whatever that I added so I didn't look dead.

Much improved? In an iPhone photo, I guess a smoother, more even toned version of myself shows. But with the closeup inspection of my 10x mirror (required for makeup now that I have old eyeballs), all I saw was the mask that makeup actually is.  I thought I'd wear it for the day, and returned to my desk to answer some emails. Then I felt itchy. Were my pores breathing? Was this stuff soaking into my bloodstream? Am I allergic? Suddenly I was wearing a face full of anxiety.

It was on 15 minutes before I ran back upstairs and took it all off. Magic! Human again.

A Total Zero

My body is the luminous suit that carries my spirit through this life. I get to enjoy its eccentricities and quirks, like the extra long second toes, the mole on the upper right corner by my mouth, my overall lush-as-a-jungle hairyness, lines across my forehead, a pair of clear, green eyes with aging vision. I've trained my body to be strong enough to perform various feats with hula hoops, an unusual act for someone my age. As a friend said recently, "You defy gravity." Not quite, but in order to dazzle and convince a pal I defy gravity, my body requires a daily maintenance through practice. This has helped (I think), my overall health. It keeps my brain and body challenged.

So yay! My body! I'm celebrating it all the time, right? No. There isn't a day that goes by that I don't think about my body in a negative way:

Is that a jowl?
Why are my legs so pale and cottage cheesy? They don't even look good when I shave them.
Whoa. Arm sag.
Stretch marks.
Can I still see my hip bones? Yes. I'm ok.
My ass feels huge.
I  have the body I did in 2015, I'm ok.
I have the body I did in 2015, I'm fat.

I don't compare myself to others. I compare myself to myself.

Two years ago,  I was a size zero. I was complimented on this thinness, often. When I went to a Redi-Care center with a badly strained back muscle, the doctor spent more time complimenting my physique than assessing my pain. A fellow hooper on Instagram, one I admire, commented on how great I looked, how thin. Friends I hadn't seen in awhile would see me and the first thing out of their mouths would be about my body. "Wow! You look great! Look how skinny! Must be all that hooping!"

I felt great with all this attention, and I felt awful with all this attention. 

It wasn't all that hooping. It was stress. I wasn't eating. It was probably one of the worst times in my life. I was unhappy, depressed, out of my mind with worry all the time, and scrambling to do the right thing for someone I loved. Most days, I was dizzy. I often woke up and had panic attacks. I tried to tell myself the dizziness and panic attacks were just hormonal, but I was dangerously thin and undernourished.

To be skeletal in our society is a goal. I'm five foot eight inches tall and I weighed 117 pounds. I began to praise myself, too. "I'm thinner than I was in high school!"

I think we need to consider what we say to people about their bodies. We don't know why a person has lost weight, or gained it, or how they feel about it. But our culture sure celebrates the thin, the lost pounds, and a youthful look. All the ads I see on social media are for age-defying makeup, tricks to keep my ponytail lively, or diet apps. They have my demographic pegged.

I'm not a size zero now, and most of the time, the little voice inside my head tells me I'm fat, saggy, and too old to be doing what I'm doing. I should just stop. This voice keeps me from being happy sometimes, all these thoughts about my body and it's "failings," which aren't failings at all. It's just my body, being alive right now, in this moment. My body is the luminous suit that carries my spirit through this life. I get one. Let me love it, please, before I have to leave it.