Summer sighs Eh, and schedules herself
for something bigger, better, more colorful.
She's not gentle at all, but everyone loves her
and how she skims the novels of days
for their plot points and burns off their details -
the thirsty toad on the asphalt, seed in a spiderweb,
white pollen scattered on the petals
of a morning glory bloom. Later she asks
what you saw, what it meant.
Tuesday, August 28, 2012
Monday, August 13, 2012
How Many Can You Do At Once?
Well, up to twenty but sometimes they need a little nudge.
Ok, maybe 30, but honestly, that's a crowd, and I like to take it slower,
so the bigger the better, you know?
So I start with one, add another, keep one licking
around my knees, another two kissing my hands.
Oh they like the hips, sure, and I stall a few there,
let one drop a few inches, grind, then bump him back up.
There's the neck, mhmm, they like that, and I've let one or two
into my mouth, but only if they are clean. I toss the ones
that really want to play, and oh, how we giggle in the grass,
Oh, Oh, O, O, O!
Ok, maybe 30, but honestly, that's a crowd, and I like to take it slower,
so the bigger the better, you know?
So I start with one, add another, keep one licking
around my knees, another two kissing my hands.
Oh they like the hips, sure, and I stall a few there,
let one drop a few inches, grind, then bump him back up.
There's the neck, mhmm, they like that, and I've let one or two
into my mouth, but only if they are clean. I toss the ones
that really want to play, and oh, how we giggle in the grass,
Oh, Oh, O, O, O!
Saturday, August 11, 2012
Theorem
After a hard day at work of thinking about poems,
I like to trace the isolated spaces between powerlines
and rooftops. Unpainted triangles in a milky sky,
their spell of geometry is like a prism's
lick across the skin.
At least two equal sides would be satisfying
but this town is nothing but scalene.
Full of obtuse angles.
My neighbor has a family of grackles
nesting in his broken soffiting. That fallen cable
knobs up the isosceles. Children, be quiet,
please. I'm trying to see.
I like to think that poems are always around us
the way that math is, a structure hidden
to those who don't even look,
or who don't want to see.
You know the person.
The one who won't poke a stick
into a stream or hold a pollywog?
Maybe someone has to ignore for balance.
I like to trace the isolated spaces between powerlines
and rooftops. Unpainted triangles in a milky sky,
their spell of geometry is like a prism's
lick across the skin.
At least two equal sides would be satisfying
but this town is nothing but scalene.
Full of obtuse angles.
My neighbor has a family of grackles
nesting in his broken soffiting. That fallen cable
knobs up the isosceles. Children, be quiet,
please. I'm trying to see.
I like to think that poems are always around us
the way that math is, a structure hidden
to those who don't even look,
or who don't want to see.
You know the person.
The one who won't poke a stick
into a stream or hold a pollywog?
Maybe someone has to ignore for balance.
Wednesday, July 25, 2012
Wheel of Social Fortune
Light is pissed. The stars wrote yesterday
to say their coolness is now an iceball in the face.
The moon never asked for all the light from the sun,
she's fine on her own. Stop thanking the universe
publicly every time someone offers you a ride,
or a stranger pays for your coffee at Starbucks.
Open up a rock. Even a stone has insides,
maybe it's a cave, like a heart, so many paths.
Love? She's had it. Sistered too often with light,
splashed all over social media, she looks
like a prom dress made out of wax. Work
at life with the hush of a moth's wing.
Praise the world by living in it, give in secret
all you have to offer, even your wasp nest words.
--
This not-sonnet is not going to win me any friends. I may even lose a few.
to say their coolness is now an iceball in the face.
The moon never asked for all the light from the sun,
she's fine on her own. Stop thanking the universe
publicly every time someone offers you a ride,
or a stranger pays for your coffee at Starbucks.
Open up a rock. Even a stone has insides,
maybe it's a cave, like a heart, so many paths.
Love? She's had it. Sistered too often with light,
splashed all over social media, she looks
like a prom dress made out of wax. Work
at life with the hush of a moth's wing.
Praise the world by living in it, give in secret
all you have to offer, even your wasp nest words.
--
This not-sonnet is not going to win me any friends. I may even lose a few.
Tuesday, July 17, 2012
Tuesday, July 10, 2012
Flip-Flop Handsoaps, Puzzles, and Stretches of Sand
Ah, the fascinating boredom of the beach. It is the only
spot where people are likely to work on a puzzle, with the possible exception
of a nursing home. The pearly insides of shells call to be touched, and the
waves keep wooshing in, then out, and in again. There are waves to be crashed
into, beach tags to be checked, the moon to photograph, and constellations of
freckles to count. I have plenty of those.
People come from all over to Long Beach Island, New Jersey,
to spread out their rainbow of chairs and umbrellas, don their floppy hats, and
smear coconut sunscreen onto their bodies. By noon, the beaches are filled with
families. Plastic baby dolls bake in the sun outside of the aid of a staked
umbrella, while the owner splashes happily by the shoreline until the ice cream
bells ring.
A pod of New Yorkers stays put in their staked claim of
land, drinking Coronas and laughing. Some very tan young men lie on their
stomachs and face each other. One holds a smartphone. They all huddle around its
reflective surface as if it were fire. A few girls they flirt with pose on a
nearby blanket. There is a lot of hair tossing, and feigned disinterest when
their men get up and leave. Twenty minutes later, they leave too. The seagulls close
in on the Cheez-Its they’ve left behind.
We are here for an entire week, and this is the first week
off work for the past twenty years for my husband. So far in three short days we have eaten a lot of toast while sitting around in
our underwear, we’ve flown a kite, saved a land locked sand crab, spent a total of 15 hours
out in the sun while covered in SPF 1000 sunscreen, and fared just fine without
wiFi. My writing “office” is the yellow dining room with a window that
overlooks the beach.
The house we’re in is the Jersey Beach house of my
childhood. Dark paneled walls and ceilings make it feel like being inside a cheesebox. The dining room is
the only room that is painted, and the television, which we haven’t turned on
once since we arrived on Saturday, still has a sticker on it that reads “32”
LED TV.” The living room art consists of a resin plaque with a rose and the
word “Welcome“ on it, and two posters of beachscapes – one of a porch with two
Adirondack chairs looking out onto the ocean, and the other of a flower-filled
dune.
Flower-filled dune landscapes seem like a good artistic
choice after a few days of being lulled by gulls and waves, but everything I
buy at the beach is rendered useless and sad at home. I suspect this is a
common phenomenon. Beach artifacts.
A few years ago I bought a large scarf that was perfect for
walks in the evening along the shoreline, but when I wear it at home I feel as
ridiculous as if I’d wrapped myself up in a piece of Saran Wrap. Shells
plucked out of the sand are out of place and homesick sitting on the back of
the toilet in the bowl my daughter made in pottery class. Thankfully, I’ve
fought off the urge to buy the flip-flop hand soaps that were advertised in The
Sandpaper.
On this visit I didn’t win over the henna tattoo. The
lotus flowers fade on my ankle out of pure embarrassment now that I am home,
having found themselves adrift in a sea of asphalt whose waves wash forward, and
forward, and forward forever.
Sunday, July 08, 2012
It’s Only Seventeen Quadrillion Gallons of Water
From this angle,
even the glittering water
just seems unhinged,
like a serial-killer
who prefers the summer
months, the thrill
of laughter and play
stretched out on the sand,
ah yes, yes, so close-by.
Lace of foam
at the water’s edge?
Hell, no.
Froth at the mouth. Spittle
of excitement. Drool.
The ocean wants to eat me,
process my precious parts,
no compromise, until I am
just an idea. My husband’s
beloved pattern dismantled.
So many shipwrecks,
skeletal slough now part
of the majesty of a whale,
oh poetry! The circle of life!
I should mention
the lifeguards are people
who still have locker
combinations to remember.
Soft-bellied and drowsy
from long vacations,
we wag in the waves,
leap, shine in saltiness
that keeps us thirsty.
Twist deeper,
ah yes, yes,
nevermind
the hiss.
Tuesday, June 26, 2012
A Side by Side Comparison of Burlesque and Poetry
Either everything matters, or nothing does. I believe that everything matters. I'm working through a knot of feelings about my creative life, so I came up with this list of notes about two art forms that I love. One is new to me (I made my debut last Wednesday), the other isn't (I made my debut in Kindergarten).
Sunday, June 17, 2012
Playing Piano Alone on a Saturday Night
You don't forget any language
you learn as a child. Sostenuto.
Transitioning from note to note
there is no intervening silence.
Legato. I'm no mathematician,
but I feel the music, remember
passages that filled me with sadness
like a battle of seawater when I was fourteen,
find them again in Clementi and Chopin.
Light fingers. Remember.
No intervening silence. Legato.
My father now on a line parallel to mine
I hold my breath
to strike the chord.
you learn as a child. Sostenuto.
Transitioning from note to note
there is no intervening silence.
Legato. I'm no mathematician,
but I feel the music, remember
passages that filled me with sadness
like a battle of seawater when I was fourteen,
find them again in Clementi and Chopin.
Light fingers. Remember.
No intervening silence. Legato.
My father now on a line parallel to mine
I hold my breath
to strike the chord.
Wednesday, June 13, 2012
Privilege
At the end of a fancy restaurant dinner
I like the sugar cubes that come with tea service.
I dip them into the tea, and watch the efficiency
of liquid wick into the grains, then I place
the saturated cube on my tongue.
Happiness.
Before that, the wine tasted like new envelopes,
then popcorn. The little spoon that supported the work
of the amuse-bouche was so lush with density
I wanted to eat it instead.
I know I don't belong here in this repurposed bank,
sitting among people who have more than a poet's
income. Well, right now we are all enjoying the same
kind of spoon. Ha! Take that! Oh, the bill.
At home my favorite spoon is a spork, it's good enough,
and at my mother's house, I like to use the one
with an elephant etched onto its handle.
I can make that cider with thyme in it
that we both enjoyed so much,
but I won't. I'll make chicken marsala,
or meatloaf, and we'll watch a movie
while sitting on the sofa. Our tablecloths
and their fashionable grease stains
folded into one another
will remain in the cabinet.
Happiness.
I like the sugar cubes that come with tea service.
I dip them into the tea, and watch the efficiency
of liquid wick into the grains, then I place
the saturated cube on my tongue.
Happiness.
Before that, the wine tasted like new envelopes,
then popcorn. The little spoon that supported the work
of the amuse-bouche was so lush with density
I wanted to eat it instead.
I know I don't belong here in this repurposed bank,
sitting among people who have more than a poet's
income. Well, right now we are all enjoying the same
kind of spoon. Ha! Take that! Oh, the bill.
At home my favorite spoon is a spork, it's good enough,
and at my mother's house, I like to use the one
with an elephant etched onto its handle.
I can make that cider with thyme in it
that we both enjoyed so much,
but I won't. I'll make chicken marsala,
or meatloaf, and we'll watch a movie
while sitting on the sofa. Our tablecloths
and their fashionable grease stains
folded into one another
will remain in the cabinet.
Happiness.
Tuesday, May 22, 2012
Nowhere at the Airport
When you're at the airport, you aren't really anywhere. Priority members, who get to step onto the tiny red carpet laid out for them at the gate, and later eat the warmed up toffee cookie, may feel differently. The airport is an airless, grey, non-space, but it is filled with people with plans. Two men spread shiny wax onto the floor by the exit, their work area cordoned off by caution tape. An older woman and her husband wait on a bench by the windows for their relative for arrive. A few days ago I watched a man on the tarmac idly juggle two orange batons from my spot in 8D. Juggling is a good way to spend the time before you need to wave a plane out of its parking space. The temporary corridor of space that appears to usher you onto the plane always makes me feel like I'm at the oral surgeon's office. Pure dread.
On the plane, I have ritual to keep me sane. I peruse the overpriced dog beds and anti-aging products in Sky Mall. I attentively watch the crew go through the motions with the seatbelt and oxygen mask instruction. When it's time for my complimentary beverage, I choose ginger ale. I keep an eye out for babies and children. A couple of babies might be annoying, but they are insurance against crashing. Everyone is cordial on a plane, until the overhead baggage compartments are full, and the cheerleader stuck in the aisle decides to turn the baggage issue into her own private Tetris game. "Those backpacks can move over there. Whose green backpack is this?"
A man adjusts the air flow vent and finds it broken, perpetually on a gusty flow that sounds like an angry, hushing librarian. The man in front of me for one flight was kind enough to rearrange his seat so I could sit with my husband, and the woman who complimented my bicycle necklace was able sit with her friend and work on pointing at charts during the flight. I stare at the man's S shaped scar for most of the flight. The scar shines at the base of his skull, through the stubble of crewcut. There's bump there too. An accident? A tumor?
As soon as the announcement is made that it is safe to take out any electronic equipment, tray tables are lowered and laptops open up like clams. The evening's cruise over the midwest is shared with people whose faces are lit by blue screens. A man to the left of me works on a Powerpoint presentation. The young man seated by the window next to me pays the extra fee to have internet and watches YouTube videos of monkeys while chatting with someone on Instant Messenger. A woman ahead of us rearranges fashion photos in a Word document. I read a book. In fact, I read three books over the course of four flights, the Sky Mall (twice), and puzzle over why the woman sliding down the inflatable exit on the "In Case of Emergency" instruction card looks like she's at an amusement park.
Printed words are so soothing when you're really nowhere, in an airport, or over the states you imagine as a map from a geography class in elementary school. Texas is pink.
Saturday, May 12, 2012
Three Mom Memories for Mother's Day
I am fourteen. My father and I wait for mom to come downstairs. She's getting ready for dinner. We are going out, headed to pick up the grandmoms for a Sunday dinner at Top of the 80's. Everything is quiet, except for the water wooshing from the sink where dad fills a glass. Our kitchen table is blessed with sign that reads "VIRTUE" right above it. Just a reminder. The dogwood blooms outside the window. Dad swigs his water. I stand in the corner of the counter between the sink and the stove, with my arms crossed. I'm not a sullen teen, but I am a quiet one. Dad breaks the silence by placing his water glass back into the sink.
You know, you and your sister are really lucky to have your mother. Really lucky. He pauses, thinks. You have no idea how lucky you are to have your mother. No idea.
I look down. I know he's right, sure, but I can't admit it. If I admit to knowing I am lucky, I am going to owe her something big, and I am not in the mood for owing anyone anything. She is going to come downstairs wearing that shirtwaist dress she always wears.
I don't say anything for awhile. He looks back out the window, runs the water one more time to rinse out his glass and put it in the dishwasher.
You have no idea how lucky, he repeats.
I unfold my arms.
I know, I say. I know.
--
My mother stands at the kitchen sink. She is looking out at the dogwood tree, or maybe out beyond it. The sun hits her face, highlights some freckles, the shine on her nose, reveals the lighter downy hairs at the base of her neck. Her profile is lovely, I think. My mother is beautiful. It's the first time I see her the way my father might have. My mother.
--
We sit out on the side porch with the new baby. She's in a red romper, and is still too little to hold her head up by herself, but we prop her up and take photos. It's sunny. It's spring. You're Nana now, Mom. She grins.
--
I'm lucky. I know it. I'm lucky.
Friday, May 11, 2012
Paper Kite Books, Edwardsville, PA
Our yellow and white striped awning
is the only sun on Main Street.
"Make sure you ease it back a couple of turns,"
the installer advised. So I do. The rays
of happiness need some slack. I get it.
Milk crates filled with paperbacks
rest on the stoop, a handmade sign
reads "Give & Take Books." A young
mother and her daughter stopped
yesterday, perused. The mother
held The Velveteen Rabbit
for a few seconds. This morning
the rabbit still supplicates
among the mystery paperbacks.
A local poet's book was stocked
three weeks ago. His first
full-length title. Not one buyer,
but a man with a desire like an arrow
came in to ask about a knot tying book,
and another man with a voice like air
blown into an empty vessel
asked if we were currently hiring.
Each day, a parade of people bob past our windows.
Men whose licenses have been revoked ride bikes
with a case of Keystone Light in the basket.
We're here as the Reference Section,
to remind people that there is sun
so people can point and shout,
"Did you know you can get free books here?"
then turn into the mini-mart lot
and pass the Velveteen Rabbit
to buy their lottery tickets
and cigarettes.
is the only sun on Main Street.
"Make sure you ease it back a couple of turns,"
the installer advised. So I do. The rays
of happiness need some slack. I get it.
Milk crates filled with paperbacks
rest on the stoop, a handmade sign
reads "Give & Take Books." A young
mother and her daughter stopped
yesterday, perused. The mother
held The Velveteen Rabbit
for a few seconds. This morning
the rabbit still supplicates
among the mystery paperbacks.
A local poet's book was stocked
three weeks ago. His first
full-length title. Not one buyer,
but a man with a desire like an arrow
came in to ask about a knot tying book,
and another man with a voice like air
blown into an empty vessel
asked if we were currently hiring.
Each day, a parade of people bob past our windows.
Men whose licenses have been revoked ride bikes
with a case of Keystone Light in the basket.
We're here as the Reference Section,
to remind people that there is sun
so people can point and shout,
"Did you know you can get free books here?"
then turn into the mini-mart lot
and pass the Velveteen Rabbit
to buy their lottery tickets
and cigarettes.
Wednesday, May 09, 2012
Dispatches from New York City
July 24th 2011
Madison Square Park. A squirrel busks for a cracker. Positively vampy.
39th Street is filled with the trash bags of yesterday's street fair. Sour.
Hot and humid. Even the pigeons look tired.
In the broad bike lanes on Broadway, people sleep with their heads resting on the garden tables.
The Flatiron building.
March 12th, 2012, 17th and Broadway
Tourists pose for photos with the Andy Monument by Rob Pruitt.
Rafiqui's Falafel truck isn't doing much business this morning.
The man with the stand of candy and cigarettes has not sold one bottle of Visine or one box of Razzles in the twenty minutes I have been watching.
Young girls with makeup. Middle-aged women with fur vests and glitzy handbags. Tourists in green sweatsuits with jackets that say "Juneau Alaska."
440 Lafayette
Bellydance class in 4E: "One and two and three and four and oh! Let's try it and turn now. One and two and three and switch. Let's take it from the top, go around if you can." Glad I'm not in there.
It's funny how you imagine a person if you only see them on television or in photos on the internet. When you see that person in real life, they often seem smaller and shier in person. She has a child's smile.
I would miss the city if we moved far away.
Everything here is worn. The floors from dance shoes, the doors from hands, the edges of the walls from shoe taps and large props.
I wish my arms weren't all bruised. I feel worn, too.
March 25th, 2012, 2nd and Bowery
At Peel, the waitstaff stand at the bar, white aprons tied at their waists. A young woman takes a sip of water throughh a straw. As she sips, her eyes widen. Trees bloom outside, tentatively. Glasses and silverware clink. A man in expensive looking loafers with buckles writes in a small notebook and adds to his writing on larger sheets of folded paper. A little boy with curly hair drives his toy car over the top of the ice bucket standing near his table., He isn't tall enough to fetch it out.
The air is heavy this weekend. Pollen. Humidity. Plenty of daffodils loom behind fences.
Madison Square Park. A squirrel busks for a cracker. Positively vampy.
39th Street is filled with the trash bags of yesterday's street fair. Sour.
Hot and humid. Even the pigeons look tired.
In the broad bike lanes on Broadway, people sleep with their heads resting on the garden tables.
The Flatiron building.
March 12th, 2012, 17th and Broadway
Tourists pose for photos with the Andy Monument by Rob Pruitt.
Rafiqui's Falafel truck isn't doing much business this morning.
The man with the stand of candy and cigarettes has not sold one bottle of Visine or one box of Razzles in the twenty minutes I have been watching.
Young girls with makeup. Middle-aged women with fur vests and glitzy handbags. Tourists in green sweatsuits with jackets that say "Juneau Alaska."
440 Lafayette
Bellydance class in 4E: "One and two and three and four and oh! Let's try it and turn now. One and two and three and switch. Let's take it from the top, go around if you can." Glad I'm not in there.
It's funny how you imagine a person if you only see them on television or in photos on the internet. When you see that person in real life, they often seem smaller and shier in person. She has a child's smile.
I would miss the city if we moved far away.
Everything here is worn. The floors from dance shoes, the doors from hands, the edges of the walls from shoe taps and large props.
I wish my arms weren't all bruised. I feel worn, too.
March 25th, 2012, 2nd and Bowery
At Peel, the waitstaff stand at the bar, white aprons tied at their waists. A young woman takes a sip of water throughh a straw. As she sips, her eyes widen. Trees bloom outside, tentatively. Glasses and silverware clink. A man in expensive looking loafers with buckles writes in a small notebook and adds to his writing on larger sheets of folded paper. A little boy with curly hair drives his toy car over the top of the ice bucket standing near his table., He isn't tall enough to fetch it out.
The air is heavy this weekend. Pollen. Humidity. Plenty of daffodils loom behind fences.
Wednesday, May 02, 2012
Deactivation is Inevitable
Well Hell, that poem is null, thanks to a social media blitzkrieg of kitten photos. Shocking.
That idea you had? Also sectored out by a comment, a like, a distraction so accurate it was flammable. Mere procedure. Move along. Never mind the landmines.
Wednesday, April 25, 2012
You Hope To Have An Evening To Yourself Soon
The crew members of your brain
open the hatch. Moored. Well, good.
Relieved of the obligation to chug-a-tug
about in anyone else's brine-filled
waters, the amygdala convinces
the Captain to eat tater tots
and drink wine, then usurps
the Captain's post. Emotion wins!
Barber's Adagio for Strings,
a little reverie, some forgetfulness,
an affair with a superlative bar
of chocolate -- until the crew enlists
the help of the punitive moon,
those tattletale stars.
open the hatch. Moored. Well, good.
Relieved of the obligation to chug-a-tug
about in anyone else's brine-filled
waters, the amygdala convinces
the Captain to eat tater tots
and drink wine, then usurps
the Captain's post. Emotion wins!
Barber's Adagio for Strings,
a little reverie, some forgetfulness,
an affair with a superlative bar
of chocolate -- until the crew enlists
the help of the punitive moon,
those tattletale stars.
Friday, April 13, 2012
Election Year
Dandelions, in all their admiralty,
are tailored to lend. Rows of gold button
into a drunken convention on the lawn,
where later in the season their party’s
confetti is spent. Then, the parade
of bald heads, ragged ties,
a blurred agreement
between the wind and the ground.
Gardeners kneel all over
the rectangular plots of America,
boondoggled, grass-stained.
are tailored to lend. Rows of gold button
into a drunken convention on the lawn,
where later in the season their party’s
confetti is spent. Then, the parade
of bald heads, ragged ties,
a blurred agreement
between the wind and the ground.
Gardeners kneel all over
the rectangular plots of America,
boondoggled, grass-stained.
Monday, April 09, 2012
Excavation
The chemistry of everyone else
stings today. It's a loss
so deep the nation
doesn't care. Stocks
rise and fall, the wind
exposes the tip of a branch
swaddled in plastic bag,
and we found nothing at all -
polished stones, ideas
drydocked. Far off,
the sounds of suction,
a warning, or proof.
stings today. It's a loss
so deep the nation
doesn't care. Stocks
rise and fall, the wind
exposes the tip of a branch
swaddled in plastic bag,
and we found nothing at all -
polished stones, ideas
drydocked. Far off,
the sounds of suction,
a warning, or proof.
Thursday, April 05, 2012
1-717-384-3578
The phone, coordinator
of all things social, fans
out the jangly, old timey bells
you selected in “settings.”
You press “answer” or “decline.”
Once there was the heft of a receiver,
and you threaded a finger through
a hole that corresponded
with a number. Now you press
a button that demonstrates
the image of a button.
An idea.
Dialing was once
a stable wind up to vocal projection,
a gyroscopic momentum of growls.
You were going
somewhere, without
actually going anywhere.
Hello, are you there?
of all things social, fans
out the jangly, old timey bells
you selected in “settings.”
You press “answer” or “decline.”
Once there was the heft of a receiver,
and you threaded a finger through
a hole that corresponded
with a number. Now you press
a button that demonstrates
the image of a button.
An idea.
Dialing was once
a stable wind up to vocal projection,
a gyroscopic momentum of growls.
You were going
somewhere, without
actually going anywhere.
Hello, are you there?
Tuesday, April 03, 2012
Sunrise
The sun rises,
and you wonder what's next.
The dog barks,
he wonders if the door will open.
Resistance as you corner the year.
Fill in between the blanks.
Circle the right answer.
You feel the story ending,
and you wonder what's next.
How do you turn a page
that isn't there?
Well, nausea implies revolution,
adventure. It's like a sneeze
jitterbugging behind the eyes.
Finish this essay:
Sunrise, sunrise.
and you wonder what's next.
The dog barks,
he wonders if the door will open.
Resistance as you corner the year.
Fill in between the blanks.
Circle the right answer.
You feel the story ending,
and you wonder what's next.
How do you turn a page
that isn't there?
Well, nausea implies revolution,
adventure. It's like a sneeze
jitterbugging behind the eyes.
Finish this essay:
Sunrise, sunrise.
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