Yesterday I sat at my desk in the afternoon after clearing this room of extraneous books, and I hand wrote three pages. It felt good to just be slow, to observe, and not feel pulled by any thoughts of "I should read that book by the person I'm only vaguely acquainted with, and then post my review of it as a dazzling reel." Not that I've ever done that, but the thoughts exist, and they are as intrusive as ticks.
Now I have a laundry basket full of books that will go to a little free library. There's the book about how and why we laugh, one all about how and why we read, several rhyming dictionaries I keep telling myself I'll deploy in a workshop someday (never happened in 23 years of teaching), some young adult literature that was great winter reading, some poetry, novels I hung onto with aspirations to read but never did, a quirky gift book, and books I purchased for some reason I no longer recall. Oh, and a two volume set of Shakespeare quotations I think I've referred to exactly twice. They are a lovely reference for a true scholar. I hope they find them.
No one will ever read what I wrote yesterday, or know what I saw, because it's all in my handwriting. The three pages are the equivalent of one of those puzzle boxes. Beautiful to look at, but difficult to solve. I can't explain how freeing it felt to write like this again. No expectations whatsoever. No pressure. No feeling of simultaneously writing and editing for the purpose of fitting into some social media limitation. And I recognize now that my clearing of books was a letting go of the words of others so some of my own might rise to the surface. I've been surrounding myself with walls of books, building a fortress to hide in. I cut out a few windows yesterday.
With that said, here's a list I made this morning of some of the good things about my writing, which is for the consumption of others, because I felt the need to type it, and be accountable for something other than one sad, metaphorical, perimenopausal, self-referential sentence. See Jennifer Hill: (The Fog Blog).
This experimental list can also be read with the title, Self-Portrait at 54. Is there anything that isn't self-referential in some way? We are all drawing our own likenesses into our copies of the old master portrait.
Good Things About My Writing
Full of images
Spins a sense of whimsy, playfulness
Poetry rich
Elevates the daily
Mostly honest
Introspective and extroverted
Strives to be universal
Fills a lot of notebooks no one has seen
Has been published, performed, shared
Is both memorable and forgettable
(I even forget some of it and I wrote it.)
Unfinished, fragmented
Part dream, part real
Symbolic
Direct
Values paying attention, sensing, feeling
Verb driven, loves movement
Feminist
Spiritual without being didactic
Is not the news
Thinks of others
Plays with structure, word sounds and shapes
Listens and gathers
Speaks up after listening and gathering
Finds contrasts/similarities in the collected, turns them over
Appreciates and honors brevity
Appreciates and honors saying/showing more when it is called for even when it is a struggle
Leans into discomfort, jumps into the icy pool
Adores the parenthetical, the footnote, the secret, the hidden seeking to be discovered
Often cheers or connects with people
Believes in the power of language and emotion and the language of emotion
Has been around for many years and is gaining some wisdom
Is no longer trying so hard to be seen, just wants to be better at seeing